Photography and Sculpture: The Art Object in Reproduction Greece “…[a] sumptuously produced and indisputably

“…[a] sumptuously produced and indisputably elegant work…”

46 color and 54 b/w illustrations

former photograph editor of the New York Times Magazine

to documenta 5 (1972) and the intensely personal exhibition he staged in his own apartment using the belongings of his hairdresser grandfather (1974)

Oberlin College

Photography and Sculpture: The Art Object in Reproduction Greece “…[a] sumptuously produced and indisputablyEdited by Sarah Hamill and Megan R. Luke Ever since the mid nineteenth century, when the new medium of photography was pressed into service to illustrate sculpture, photographs of sculptural objects have directed viewers as to what, in the course of ambling around a sculpture, was the single perfect moment to stop and look. What is the photographs place in writing the history of sculpture? How has it changed according to culture, generation, critical